The New Figurative

A return not subjected to the idea that one has of New Figuration, an aesthetic and poetic orientation of the 1960s, all aimed at overcoming informal solicitations.

In Gianbecchina, a kind of clash between his previous visions, the abstract-material parenthesis, and the instances of New Figuration takes place, so that in him a return to Figuration enriched with variables and dense moods is implemented. In this contradiction between the old and the new, Gianbecchina goes to rummage with unprecedented means the most secluded land, that which "only he knows," which is no longer still for contemplation.

Over it all looms song, a choral sense of human participation, while vague flashes of fire begin to set the horizons ablaze.